{"id":36,"date":"2009-03-30T14:02:29","date_gmt":"2009-03-30T18:02:29","guid":{"rendered":"http:\/\/stealthisdance.com\/wordpress\/?page_id=36"},"modified":"2009-04-22T19:03:31","modified_gmt":"2009-04-22T23:03:31","slug":"impersonations","status":"publish","type":"page","link":"http:\/\/stealthisdance.com\/?page_id=36","title":{"rendered":"Impersonations"},"content":{"rendered":"<p>Since choreography is generated and interpreted by individuals, sampling and stylistically referencing dance can be a form of impersonation.  Although we aren\u2019t delving deeply into the genre of impersonation, we are experimenting with ideas of affect, habit and persona. <\/p>\n<table class=\"thumb_menu\">\n<tr>\n<td class=\"td_thumblink\"><a href=\"?page_id=204\"><img decoding=\"async\" src=\"\/images\/thumb_katebush.jpg\"<\/a><\/td>\n<td class=\"td_menutext\"><a class=\"yellowlink\" href=\"?page_id=204\">Kate Bush Impersonation<\/strong><\/a><br \/>God, we love Kate Bush.  What more to say?<\/td>\n<\/tr>\n<tr>\n<td class=\"td_thumblink\"><a href=\"?page_id=336\"><img decoding=\"async\" src=\"\/images\/thumb_anime.jpg\"<\/a><\/td>\n<td class=\"td_menutext\"><a class=\"yellowlink\" href=\"?page_id=336\">Me Against The Music<\/strong><\/a><br \/>Kim Goldman impersonates an anime dancer.<\/td>\n<\/tr>\n<tr>\n<td class=\"td_thumblink\"><a href=\"?page_id=382\"><img decoding=\"async\" src=\"\/images\/thumb_meghanndenis.jpg\"<\/a><\/td>\n<td class=\"td_menutext\"><a class=\"yellowlink\" href=\"?page_id=382\">Meghann Wilkinson as Denis Lavant<\/strong><\/a><br \/>Meghann impersonates Lavant&#8217;s appearance in the credit reel of the French film Beau Travail.<\/td>\n<\/tr>\n<tr>\n<td class=\"td_thumblink\"><a href=\"?page_id=333\"><img decoding=\"async\" src=\"\/images\/thumb_jennydenis.jpg\"<\/a><\/td>\n<td class=\"td_menutext\"><a class=\"yellowlink\" href=\"?page_id=333\">Jennifer Meek remembers Denis Lavant<\/strong><\/a><br \/>&#8230; three months after impersonating him at the Maggie Allesee National Center for Choreography.<\/td>\n<\/tr>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Since choreography is generated and interpreted by individuals, sampling and stylistically referencing dance can be a form of impersonation. Although we aren\u2019t delving deeply into the genre of impersonation, we are experimenting with ideas of affect, habit and persona.<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-36","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/stealthisdance.com\/index.php?rest_route=\/wp\/v2\/pages\/36","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/stealthisdance.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/stealthisdance.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/stealthisdance.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/stealthisdance.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=36"}],"version-history":[{"count":14,"href":"http:\/\/stealthisdance.com\/index.php?rest_route=\/wp\/v2\/pages\/36\/revisions"}],"predecessor-version":[{"id":602,"href":"http:\/\/stealthisdance.com\/index.php?rest_route=\/wp\/v2\/pages\/36\/revisions\/602"}],"wp:attachment":[{"href":"http:\/\/stealthisdance.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=36"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}